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Day One: January 18, 2019. Assemble in Tanzania Story

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…rage, we do one field visit a year, recording roughly 20-25 groups, and a 100-125 performances. We have roughly 1,000 videos online. Our general setup for a recording is: a) Steve is in charge of audio and we typically have two general mics for the group and 5-6 specific microphones for singers and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving…

Day Four: 10 March 2022 (Rongo) Story

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…at he has become, gave an exemplary performance without any re-takes. By 7:00pm his session was completed and he was on his way back to Kisii County. The next group was Otacho Young Stars who began their performance at 8:00pm. Otacho Young Stars were also no strangers since we recorded them in 2011 as part of the Singing Wells project. These musicians are now in their 30s and no longer answer to the name Young Stars and are appropriately simply kn…

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…no better than the other Batwa so I thank you for choosing me. I am happy 1000 times over. My message represents the rest of the Batwa people. I listened to the recording of my song – it was so nice, so sweet.’ The day ended with her joyfully dancing to her own record, with her newborn baby in her arms. It was a moment that made so much of the work put in by the entire team completely worth it. And it has inspired us to continue searching for more…

Day Zero: 6 March 2022 – Travel To Stream Story

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…ew offices at the GoDown Arts Centre on Kayahwe Road off Dennis Pritt by 9:00am. It took us an hour to load the van with the equipment and our personal effects. On our team was Tobias Odhiambo (or Shunkyz as he is known in the music circles) as soundman in charge of the technical aspects of the recordings. Shunkyz was assisted by Fiston Lusambo, a Briton of Congolese origin and guitarist with the London-based Afriquoi Musical group. The video sect…

Day Two: 8 March 2022 (Ilesi) Story

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…g session was finally figured out the actual recording started at about 17:00 hours. The three sisters and their two brothers have pleasantly matured musically and it was really encouraging to see them helping to keep their father’s legacy alive. All was done a few minutes to 8:00pm. After the routine photo shoot the Obasie Palnyang brothers and sisters were off to their serene village in Kodedema, close to the Kenya-Uganda border. After the long…

Day Three: 9 March 2022 (Kisumu) Story

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…n: Dunga Hill Camp – Kisumu. Field Notes: We left Khayega for Kisumu at 10:00am and made a quick stop at Kiboswa ‘city’ on our way to the Lakeside city. This historic center, inhabited by the Luo, Luhya and the Kalenjin tribes of Kenya, is home to Paul Kelemba (or Maddo, as the cartoonist is popularly known). After taking a few photos to prove to the award-winning cartoonist that we actually visited his ancestral home, we continued with our journe…

Ketebul Music presents Shades of Benga Online News

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…Music have just launched Episode 2 of their online series Shades of Benga Online, to go alongside their book ‘Shades of Benga: The Story of Popular Music in Kenya 1946 -2016’. You can watch the latest episode below, and also find out more at their website here.   Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how…

Singing Wells Youtube Channel hits 2.5Million views News

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…of the highlights from our channel. First place on the view count – at 272,000 views, goes to our awesome session with Otieno Aloka in his Luo village. Performing with a traditional band, this video of the famous singer of ‘Kanungo Eteko’ is a great example of the Singing Wells project in action; a modern artist connecting to his musical heritage as he plays the traditional orutu, whilst also inflecting it with his own contemporary style. https://…

Meeting Ketebul: an interview with Tabu News

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Published in: News & Views

…moment. We need to look for a platform to promote our stuff, whether it’s online, digital radio, TV – we need to make the music more accessible to all. Why is Singing Wells important? Singing Wells is important because we’re trying to capture our East African heritage. Many of the musicians we record from remote tribes are old and we run the risk of the traditional music in Kenya dying out, we don’t want to see that happen. Further, most recordin…

Music Depositories and Archives around the World News

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Published in: News & Views

…nd Andrew Tracey Collections available for online access. There are over 12000 30 second recordings from the 1930s, 40s and 50s. The archive grants access to anyone who is interested and is not restricted to academic or research purposes. The physical archive at Rhodes University is open normal business hours, unless special arrangements are made. 2. Global Music Archive This archive is housed within the Anne Potter Wilson Music Library in Vanderb…

Archiving Guidelines News

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Published in: News & Views, Uncategorized

…he Production and Preservation of Digital Audio Objects (IASA-TC 04) – in 2009, which is described as ‘an accepted authority on digital audio preservation in the sound archiving field.’ It is informed by their other publication, ‘The Safeguarding of the Audio Heritage: Ethics, Principles and Preservation Strategy’ (IASA-TC 03). When researching guidelines for the online archiving of sound, the term metadata is often mentioned and this is the large…

A History of Recording East African Music News

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Published in: News & Views

…Fellowship grant to study South Rhodesian music, with which he made over 600 recordings, and inspiring traditional English musicians, Ralph Vaughn Williams and Gustav Holst, at the Royal Academy of Music, who urged him to “discover every chord” of traditional African music, Tracey ran out of funding. He became a broadcaster, utilising every opportunity to promote African music. However, he could not stay away from Africa long, and in 1946 realise…

Report from Womex 2013 News

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Published in: News & Views

…particular suprise here – in a population of 1.2 billion, 50 % are under 30 and consuming music. In Africa – 60% have electricity whereas 86% have a mobile phone. This is again another area in which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African music networking session which became the launch for a new initiative by the Cape Ver…

The origins of Singing Wells Story

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…ic labels on two separate continents. Tabu Osusa founded Ketebul Music in 2007 with a goal to record and promote traditional East African music. Tabu laments the fact that the music heritage of the region is being eroded. He says, ‘For reasons I can’t fully explain, contemporary East African music has lost touch with its tribal roots. Our most popular musicians find far more inspiration in western music than they do with East African music. I worr…

The Tribal and Musical Structure of East Africa – Worldmap Research News

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…e changing, however. Since the Female Genital Mutiliation or ‘FGM’ Act in 2009 the practice has been on decline, but this year in particular Pokot men have come to women’s aid by rejecting the practice. There were reports in February of this year of men demonstrating with large placards against FGM. One man, Mr Lotolim, a resident of Jumbe village in Amudat District, reported that Pokot men often only resort to polygamy because their first wives h…

Singing Wells – Origins News

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…ic labels on two separate continents. Tabu Osusa founded Ketebul Music in 2007 with a goal to record and promote traditional East African music. Tabu laments the fact that the music heritage of the region is being eroded. He says, ‘For reasons I can’t fully explain, contemporary East African music has lost touch with its tribal roots. Our most popular musicians find far more inspiration in western music than they do with East African music. I worr…