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Andy Patterson Staff Profile

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…the post production back in the UK and is responsible for the Singing Wells podcasts. For more information, please check out Andy’s site at: http://www.andypatterson.co.uk or follow him on Twitter – @aandypatterson…

Watmon Cultural Group Group

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…t Lucy Duran. Their performance was described by Sounds and Colours as an ‘instrumental extravaganza’. Sources: Sounds and Colours www.dailymonitor.co.ug The Guardian…

Privacy Policy Page

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…Analytics (with certain browsers) – info on which you can find here: https://tools.google.com/dlpage/gaoptout There is also the chance that other services on our site – such as embedded videos from YouTube, may also cause cookies to be saved to your machine. The other services we use on our site include Facebook, Twitter and Flickr.   Why are we telling you this? Well the European Union have introduced a new directive that makes it a requirement f…

Zam Zam Group

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…, in Rahaleo. All male group ranging from age 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. It was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abdallah Mohd, Abdillah Salum Juma (lead singer), Fesal Sleiman M…

Recording, archiving and sharing the traditional music of East Africa Page

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…his way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just enjoy some beautiful East African music and revel in some jaw-dropping performances? Head this way to see more videos of the inspiring performances we have captured on our field trips, incredible photography…

Here for Research? Page

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If you’re looking for in-depth reports from our time in the field, or easy to find information regarding the groups we have met, you are in the correct place. Below you will find all of the research we have collated within our 10 years of experience recording the music of East Africa. Field Reports Our daily reports written from the field during our yearly trips. Head here for detailed information about the performances we record, the musicians…

Day Zero: February 15, 2020 – Assemble in Zanzibar Story

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…d a Arabic style (but Swahili) lead female vocal.    We also heard the Sanduku, essentially a bass guitar, but actually a single string connect between a pole and a big wooden box which gives the instruments its bass and resonance.   A final note before we begin, about the team.  We have been helped immeasurably by the Dhow Countries Musical Academy – they helped us find the groups, hosted many of our recording sessions and provided many musicians…

Day Five: February 20, 2020 (DCMA) Story

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…ry general, accordian), Maulid Haji Mkadam (musical director) We didn’t get the rest of the names as there were so many.  Singers in order of songs below: Amina Addalla, Sabina Hassan, Mtumwa Mbarauk, Mgeni Khamis, Fatima Abdi Sdam.  Songs:  Bashraf Waridi – Rose, instrumental intro Ume Washuka Kama Yalivyo Nipata Mapenzi Matamu Sikupendi Kwa Uzuri – Love song. …

Influences songs from Singing Wells Group

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…a new generation of musicians and fans who might not consider it relevant today. So, we have developed the Influences series – a fusion of traditional and contemporary styles. Each time the Singing Wells team embarks on a field recording visit we are joined by a talented musician who works with us on ‘Influences’ songs. They work with us in the field and also in the Ketebul Music studios in Nairobi to produce this new material. We believe our Inf…

Page

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…nd songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project,  If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have.  SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global In…

Mission Page

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…e diverse music traditions of East Africa. The project is supported by our UK charity, The Abubilla Music Foundation. Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out…

What We Do Page

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…w generation of musicians and listeners who might not consider it relevant today. So we have developed the Influences series: new compositions comprising a fusion of traditional and contemporary styles, themes, harmonies and instruments. Influences is led by musicians from Ketebul Music or singer/songwriters from the areas we are travelling to during our field visits. “Singing Wells can’t be just about archiving. We can’t be fossil collectors. We…

Day Four: 10 March 2022 (Rongo) Story

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…true to the professional that he has become, gave an exemplary performance without any re-takes. By 7:00pm his session was completed and he was on his way back to Kisii County. The next group was Otacho Young Stars who began their performance at 8:00pm. Otacho Young Stars were also no strangers since we recorded them in 2011 as part of the Singing Wells project. These musicians are now in their 30s and no longer answer to the name Young Stars and…

We assemble in Kisumu Story

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…ssion to preserve, promote and showcase Kenyan traditional music and dance worldwide. She has been a scientific advisor with Ketebul Music since 2015 and worked on Ngoma Zetu (2016). This is her second Singing Wells field visit – previously she joined us on Singing Wells Masters of the Nyatiti in 2017. With Tuskers and Dried Fish ordered and eaten, with friendships renewed and jibes exchanged, we take our leave for the evening and prepare to Dahir…

Field Recording Report by Kahithe Kiiru Story

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…g’. We were welcomed by his son Donald Obasie, who is a fine artist. The 80-year-old Obasie grew up with music, since his grandfather Okomol was a traditional percussionist. Obasie himself started playing music in 1958 and has mastered several Teso traditional instruments. Today he plays with an old friend – Mzee (Edler) Ikobulo (born 1932) and his daughters as back-vocals. Through a series of 8 songs, he showcased three major instruments: ADEUDEU…