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When we started the Singing Wells project back in 2011, we had a mission to preserve the rich musical heritage of East Africa, by filming different musical groups on our yearly field visits. But aside from this, we have always aimed to showcase this incredible music with the wider global music community to show just how innovative and exciting this music is. With that in mind, as we approach our 10 year anniversary, we want to truly combine thes…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…in Arabic as ‘having joy with music.’ Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this post are direct quotes from the DCMA): Ngoma: “Ngoma literally translated means drum and is a term to encompass all local tra…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…roup: Our first group, from the Mara Regio (Roria District) was formed in 2012. They are from the Abhasimbete community. Their style is Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Am…
Day Three: Bungoma Town to Kakamega Story
Tuesday, February 20th, 2018: Today, we returned to record Wilbert Wanyama in Bungoma Town. As mentioned, we met Wilbert on the evening of February 19th, but were unable to record his band due to thunderstorms. So we returned to Santa Maria Resort to record him the next morning. And the weather was sunny and crisp, following the previous evening storms. First, Wilbert told us the history of the band. The band, Bungoma Roots Band, started in 2005…
Our Sponsors Page
…e Ciputra Group Type of sponsorship: Supporting Singing Wells projects in 2014 Thank you to The Ciputra Group for their generous support in 2014. Funds will be directed towards the Singing Wells project to repatriate the music recordings of Hugh Tracey currently archived in the International Library of African Music (ILAM) to the villages where the original recordings were made. See our post on this project here. The Mara Group Type of sponsorship…
Video playlists from Kenya 2018 Story
…l Omong’oluk Traditional Dancers https://www.youtube.com/watch?v=ILMAhvkRtg0&list=PL6jxUA468Mq9LNfV2MxN2k1JwC-xu5n06 Samuel Namatete https://www.youtube.com/watch?v=JtkGVQFNoPw&list=PL6jxUA468Mq-RUCpUdIrKZrrZyRF216Mz Pius Wafula https://www.youtube.com/watch?v=lUa3LzYZ8G8&list=PL6jxUA468Mq-JL9a_FMhl3js2eQdqUBVn Shem Tube https://www.youtube.com/watch?v=cewr4zGeAXo&list=PL6jxUA468Mq_qagUS8lrS4ItNX84ceQc_ Peter Awkabi https://www.youtube.com/watch?v…
Global Influences Project: Artist Submissions Page
…can follow Mkostii Beats at @mkostiibeats and Collo Skyzan at @colloskyzan410 STEFANO SITE NNE X ALOKA OHANGLA We really enjoyed this submission from Kenyan artist, Stefano Sita Nne. This track is entitled Bunde. and uses a sample by Aloka Ohangla. “This features the drum solo by Aloka Ohangla Group. My initial thought when I heard the sample was for a hip hop beat. But after listening some more I decided to juxtapose the fast paced drums with a l…
Contact Page
…, Farnham, Surrey GU9 7PT (A Limited Liability Partnership. Registered no: OC354221) www.abubillamusic.com Abubilla Music Foundation Valiant House 12, Knoll Rise Orpington, Kent BR6 0PG (Registered charity no:1142173) www.abubillamusicfoundation.org.uk Ketebul Music The GoDown Arts Center P.O Box 21737-00505 Nairobi, Kenya (A company limited by guarantee. Registered no: 134230) www.ketebulmusic.org…
The Revival of the Entongooli Page
…ars. Some of the instruments that Mr Mukadisi has in his position are over 100 years old. Once the correct tree has been found that is of an appropriate age, around 10 years old so the wood is fully formed, it is chopped down and into smaller pieces to begin the drying process. When the wood has appropriate time to dry, it is prepared for chopping and shaping, and the next process of preserving the wood through the use of animal dung. More on that…
FAQ’s Page
…e project? We made our first field recording on the Kenyan coast in March 2011. The Abubilla Music Foundation was granted charitable status in June 2011.We are currently preparing for our 10 year anniversary, and are doing a countdown of our Top 20 Singing Wells moments here. How do you discover the music groups? To find talented and inspirational musicians and groups we rely on local fixers and musicians who spend a great deal of time researching…
1. Introducing the Naizungwe drums Story
…our revival of the entenga royal drums of the Buganda kingdom starting in 2015 and contacted Singing Wells with the hope that we would support him with funding for his new project. We are excited to announce that we have agreed to support James in his endeavours and will be posting about the project’s development, which has been under way for a month now. James gives some background about his inspiration for starting this project: “I led the reviv…
Day 2: Sunday, 2017 February 19th Story
…kologa Utalinywa: If you mix it, you will drink it. Kiingereza (English) This is Leo’s song from his album, Bangili (bangles) This was a wonderful day of recording for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a profession…
Day 1: Saturday, 2017 February 18th Story
…in 1999. Throughout his long life he drummed. Here’s Leo Mkanyia , our 2017 Influences Artist, describing his experience listening to Mzee Morris’s music: “He wasn’t normal. He plays his drums like a guitar. You have to listen very carefully to realize not only is he keeping the beat, but he’s also carrying a melody. And he uses 10-12 drums, sometimes more. This is not normal. Every drum was a note for him. He picked the skins for the drums and…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…enous teaching methods used with the young people involved in the project, what this meant for the sustainability for the instruments future, and how this impacted the young people’s identity and associations with the Bigwala-playing community. You can find the full report on the Sage website here: https://journals.sagepub.com/eprint/EBNMQEBVD9ECYMFJF8EP/full Professor Isabirye’s extensive work in reviving lost instruments so that they will be pas…
Fundraiser for Matthew Watmon News
…brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). If you are based elsewhere in the world, we have created a GoFundMe page: https://www.gofundme.com/f/support-mathew-watmon The donors of Abubilla Music Foundation, who support the Singing Wells project, will match these contributions up to £1000 so we greatly appreciate your support at this time. We are sending our prayers to Matthew and his family in this difficult…
The Revival of Ohangla Music! News
…atch?v=gPaBQwODTtU…