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Global Influences Project: Artist Submissions Page

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Below are some of the amazing submissions from creatives across the global for our #GlobalInfuencesProject – Submissions are now closed for any further entries. L3GS X OTACHO YOUNG STARS//NYATITI GROUP//JOGINDA BOYS Our final submission for this years Global Influences Project comes from a producer trio from Nairobi named L3GS. We loved the mellow vibes of this track and it’s amazing how well they have incorporated the loops to create a contempo…

A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News

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We are thrilled that our friend and colleague Professor James Isabirye has recently had a report published, after his in depth research into music learning practices. After extensive work reviving the Bigwala, his report focuses on the indigenous teaching methods used with the young people involved in the project, what this meant for the sustainability for the instruments future, and how this impacted the young people’s identity and associations…

Our journey to the Royal Drums: in the words of James Isabirye Story

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Thursday, December 03, 2015 On December 1, during the long ride to Jinja, Tabu and I had a chance to interview James Isabirye about how and why we found ourselves together. This is a summary of that conversation, roughly in James’ own words. I use the term roughly for two reasons: 1) These are African roads and James was highly distracted by his own driving during our interview, dodging vans, cows and potholes. 2) I was trying to take notes in a…

Central & Eastern Uganda: Day 4, Part 1 – Reflections Story

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December 3rd: reflections at the Kampala museum This is our final day in the field in Uganda. Tomorrow we head back to Nairobi to record in the Ketebul Studios: we identified a whole set of extraordinary musicians from our 2013 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instruments of the kingdoms of Ug…

Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story

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Part Two: Interviews with other palace musicians On our third day in the field we focused on two things: 1) Understanding better how the royal drums of the Buganda Kingdom are made 2) Interviewing other surviving musicians from the Buganda Palace Here’s our summary of part two: We travelled to two separate villages to meet four other surviving members of the royal palace musicians: a flute player, a trumpeter and two members of a xylophone-drummi…

Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story

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December 2: Drum making and palace players On our third day in the field we focused on two things: 1) Understanding better how the royal drums of the Buganda Kingdom are made 2) Interviewing other surviving musicians from the Buganda Palace Here’s our summary of part one: Part One: Drum Making The Singing Wells team was joined by James Isabirye today as we travelled to Mukono, to visit Ssebengwa Drum Makers (P.O. Box Mukono near Colline Hotel, J…

Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story

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First, a caveat: this blog does not claim to be historically accurate and we can’t verify all the events told here. It reports on the memories of a former royal drummer, who is reflecting back on his time at the Buganda palace, on the night the palace was attacked and on the importance of seeing his craft revived. And there is something quite beautiful in the way he remembers his own story. Musisi being recorded on camera telling his story We are…

Rediscovering the lost Royal Drums of the Buganda Kingdom: Day 1, Uganda Story

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November 30: Meeting the professor and his students https://www.youtube.com/watch?v=gpG0HLNxVQA The Singing Wells team united in Nairobi on November 28th and flew together to Kampala on November 29th. We are: Tabu Osusa, Jimmy Allen, Steve Kivutia, Patrick Ondiek, Hunter Allen and Nick Abonyo. After a night at the Fairway Hotel, we met James Isabirye at his university, Kyambogo University, to record the Entenga. Centre: James Isabirye We have be…

The Entenga Drums: Part 1 Story

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The Entenga Drums were part of a set of royal instruments of the Buganda Kingdom. We know from Musisi, the last surviving drummer who played in the palace, that the King in the early 1960’s loved the Entenga drums so much that he asked the drummers to play every morning at 3AM. He felt that the drums were so perfect, that this was the only time of the day when it was quiet enough to appreciate them fully. Hugh Tracey, the great ethnomusicologist…

Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story

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In addition to our four days of field recordings, we also agreed to pursue a vital project for Singing Wells in Nairobi. Ketebul and Abubilla Music personnel joined together to record some of the most important ‘bridge’ artists in Kenya – a group of musicians that build a connection between the music of their villages and modern music. These were the founders of Benga, the African Twist, ‘Luhya Omutibo’ and the ‘Yoodle sound’ and represent the Lu…

Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story

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This day is mostly about the Ameru, or Meru, and their dance troupes. We recorded 32 separate songs across 5 performers in four separate locations. On the way, we learned a lot of detail of the boys’ rite of passage through circumcision. After breakfast (each of us coming at separate times), we travelled an hour to Mariene, to record our first group on the grounds of the New Apostolic Church. This was our route: It was a lovely location, deep in…

A Tanzanian Effort to Salvage the Music of the Past News

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A few years ago we learned about a group in Tanzania who, like Singing Wells, is working to preserve traditional music, but for them the act of preservation is quite literal – the Tanzania Heritage Project is scrambling to digitise reams of reel-to-reel tape recorded between the 1960s and 1980s, which has been literally rotting for decades in the moulding archives of the Tanzanian Broadcasting Corporation. Some has already deteriorated to the poi…