Central Uganda: Day 6: Kampala to Entebbe

We woke up and ate tons of breakfast while watching very fit marathoners run past us.  The route was not closed to traffic which causes some interesting near collisions.  Throughout our recording and driving in Kampala today we were surrounded by limping groups of marathoners in bright yellow shirts.

The Recording Site

We packed and drove east, just outside Kampala to the Kyambogo University, where James teaches.

Recording site Bukaala Group

It was a beautiful gated campus, very quiet, big trees, lovely red dirt paths – it seemed to be a preserve for the lovely Ugandan greens and reds we’ve grown to love.   Students walked everywhere with packs.   We set up in the garden of James’s class room, under big trees, in tall grass.  It had rained the night before and morning so everything was glistening.

The Music Groups

Bukaala Twesitule Troupe

Their Leader is Charles Ikula and they were started in 1991, with over 200 members, 50 of whom are active.  Musical style is Baganda.  Group performs in different areas, mainly engaged in advocation and sensitization on social awareness and theatre.

Their instruments  include:

  • Amadinda: Xylophone
  • Endingidi:  Tube Fiddle
  • Emlwanzi:  Pan Flute
  • Adungu:   Harp
  • Entongoli:  Bow Lyre
  • Drums:
    • Engalabi (Long drum, longest)
    • Empuny (Main Drum)
    • Entujza, 2 medium drums
    • Namunjoloba, 2 small drums, one pitched very high and one lower

Bukaala Twesitule Troupe endingidi players

Bukaala Troupe

Their members include:

  • Ronald Muwonge (drums and dances)
  • Denis Kasasira (long drums)
  • Samson Basoga (Tube Fiddle)
  • Isabirye Basoga (15 slab xylophone)
  • Jane Babirye (lead vocalist)

Bukaala vocalist copy

They performed 4 songs and two magic moments, which they referred to as ‘Magic Dancing’ and ‘Magic Singing’:

  • Bana Uganda Banange:  It is about a particular brand of beer called Senator Lager.  It has contributed to the local economic development because it uses ingredients grown in Uganda.    The Lead vocalist is Jane Babirye.
  • Abag’ageno:  Talks about HIV and the factors influencing the spread of HIV and how the community can come together to deal with it. Very tragic song telling the story of deaths with man sobbing at one point.    The Lead vocalist is Jane Babirye.
  • Akabira (Worship Song):   Means a small forest where spirits tend to run, deep in the trees and high in the mountains.  But they are not always well cared for and they then tend to cause havoc with the rest of family members (please note similar story to  song we heard about impact of deforestation on spirits.   Lead vocalist this song is Hellen Flavia The back-up vocalist for this song was Diana Natero.  And the wild dancer was Lubowa Bashir.
  • Omwenge (a local brew):  This is about how the local brew is made in stages and sets out each procedure to produce the brew.   The lead vocalist is:
  • Magic Moment:  No vocals, and we called it ‘Magic Dancing’
  • Magic Moment:   We called this ‘Magic Singing’

James Isabirye says of this group, that “it is from Rakai, which is a very significant area in Uganda. This is where HIV Aids was first recognized in Uganda.  Because of the culture, if someone passed away, the brother had to marry the widow and take care of her immediately. This was devastating for the spread of Aids because the surviving spouses, who were often infected, immediately partners with another and passed on the disease.   In late 90’s you could only find little children and very old people because the disease spread so fast before it was detected.  It is only now that we have adults again.   As you noticed, this is a young group, with a huge future.   They are moving from amateur to professional with a lot of energy.  The lead singer is a wonderful performer, and really up and coming and will only get better.  They also have great instrumentalists.   They really gave a show today with lots of performers – but to these cultures folk songs demand actions and drama.  If you give them an open space they will bring much more drama to the equation.”

Here’s their music

The Journey to the Next Site

We then packed up and left the University Grounds and headed back into Kampala to the Uganda Museum.

The Recording Site

We set up directly in the Museum grounds and were surrounded by an open air museum which was a collection of traditional grass thatched huts from throughout Uganda.  Fairly surprised museum guests stopped to watch us. A slightly miffed grass cutter politely agreed to hold off on his duties.  We set up the band in front of one of the huts.   Oh, and there were no trees.  Oh, and it was sunny and hot.  We cooked.

Amadinda Buganda Music Ensemble

Buganda Music Ensemble

The Group was founded in 2004, led by Albert Bisaso Ssempeke Jr.  Son of Dr. Albert Senior, a legend.  Music style:  Kiganda.    Dr Albert Ssempeke, father of Junior was a legend. He was a palace performer for the King. Albert Jr’s grandfather was a palace gatekeeper and flute player in the palace.   Albert Junior started to play at 10 years old and his father taught him all the main instruments – he plays the Enanga (harp, where there are only 3 master players) and the endongo (Bow Lyre).   His best moment was playing for Ronald Mwenda Mutebi’s wedding in 1998.

Bowl Lyre Albert Ssempeke

The band members include:

  • Kigozi Daudi:  Emburtu (big drum)
  • Steven Ssebuufu:  Amadinda and endingidi
  • Kyakonye dodovic:  Engalabi (long drum)

Buganda Music Ensemble

They played seven songs:

  •  Ggangalwa:  A king servant tried to play with the princess. All women in the palace, however, are controlled and possessed by the king.  He was punished by cutting off his fingers. His friends eventually found out due to all the rumors circulating the palace.  They tried to ask him about it but he kept denying that anything had happened.  Albert leads the song with the bow harp: The bow harp, or Ennanga, which was played by Albert Junior is a new instrument for us and he is only one of 3 master players.  It was played in solo performances and the Ennanga player was  the advisor to the king, as people would bring him messages for the king that he would turn to song.
  • Mulirwana:   it means neighbor and the song is about people who don’t trust their neighbors and they believe that anyone that doesn’t trust their neighbors is a witch.
  • Ssewaswa:  This is about twins Wasswa and Kato and praising twins.
  • Anamwinganga:   This was apiece composed by his father in 1945 and recorded in the 1960’s.  It talks about who will attack the king.  He has all the security and people are there to protect him so he should be safe.
  • N’agenda Kasana, Instrumental
  • Ssematimba:  Magic moment instrumental
  • Tweyanze:  It is an appreciation song to say thank you.

James Isabirye says of Albert, “Let me talk about his father, Dr Albert Ssempeke.    Doctor Albert Senior was a great teacher, teaching many people how to play the tube fiddle and xylophone. He would showcase Ugandan music at the Ugandan museum, together with lots of other musicians of his time.    He gave dozens of workshops in Europe.   But he was illiterate.  Peter Cook was taught by him.   And his son Andy Cook who lives in Edinburough. “

Here’s their music

And that was it for Kampala.  We packed and divided up.  Jimmy, Tabu and James drove together to continue to learn more about the music.   We all arrived at our ‘home away from home,’ the Airport Guesthouse, Entebbe, and we settled in for a fantastic BBQ to celebrate Steve’s Birthday.  In the middle of dinner, Jovah and Henry arrived from Kisoro. We said hello’s and played them some of our Batwa recordings.  We then gathered back around the table and told some jokes.    All of us were in bed by midnight as we knew the tomorrow was going to be very busy.

 

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