Day 6: On this day, we travelled by road back to Nairobi. This report lacks detailed information on several days of recording in Nairobi, because of my absence. The team’s résumé of those days’ activities is included in the form of short notes: Day 7: Recording of the making of obokano, an 8 string instrument from…
We drove back to Stone Town and the DCMA to record our first group. After we finished there we drove to Mpendae, about 20 mins from Stone Town to record the second group. From there we drove for another half an hour to Maungani to record the third group: Tarajazz – This group was…
The original concept of the Masters of the Nyatiti programme included a side segment focusing on the orutu ‐ a one‐string fiddle from the same community. Because of time limitations, this could not be done fully; yet the idea of instrument comparison remained and was reintroduced through an instrument comparison forum held on day 8…
We drove back towards Stone Town and stopped at the Maruhubi Palace ruins. This palace was built by the third Sultan of Zanzibar from 1980-1982 for his secondary wives. It is now in ruins but you can still see the main buildings with baths inside, a massive overhead aqueduct that supplied water to the palace…
Today is a travel day. The main Ketebul crew (Steve, Patrick, Drix) left Nairobi early to drive to Kisumu, while Tabu flew with Jimmy and Hunter to Kisumu (Jimmy and Hunter arrived from London on the 17th. We all met at the Kenya/Nairobi border and after two hours, cleared the border and drove to Tarime,…
Day 10 – Monday July 10th 2017 (as per team’s report): Two master class sessions with the 2 masters of the nyatiti (brought in from Lake Region) – William Omondi Ogutu (recorded on day 4 at his home) and William Odondi Matara, also known as Odondi Diel Matara (interview and several tunes recorded before master…
