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Day Four: January 21 2019 Mwanza

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The next morning we drove about an hour to Kisesa (A) to record two groups: Group 1: Mchele Mchele Sanaa Group:    This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe.   Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute),…

Day 1 – Saturday 1st July 2017

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Day one of our field mission was originally reserved for travel, for the road from Nairobi to Kisumu City. However, as our schedule was going to be tight, and some of the preliminary work had not been completed, we opted for a semi‐formal preparative interview with John Otieno ‘Rapasa’, a young nyatiti player based in…

Day Four: Ikolomani to Amalemba

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Wednesday, 21 February 2018 We drove from our hotel, in Kakamega, to Shiriese Ikolomani to record the Super Phoenix Band.   The band was founded originally by Jacob Luseno, who mentored the current band leader Julius Intenya.   The musical style is Mutibu. They played roughly 8-10 songs, including several goes with our influences artist. These songs included:…

Day Five: January 22, 2019 Mwanza Continued

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We returned to the same location (Kagera Bukoba) as yesterday to record three groups: Group 1: Karambi Sanaa Group: From Kagera Bukoba and part of the Wahaya Community, this group was formed in 2000 and performs in the Akasimbo style. Their instruments are: Kangote (Drums), Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together,…

Day 2 – Sunday 2nd July 2017

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We started day two with a visit to Meshack at his late father’s home in Umala village, Alego constituency (Siaya County). His setting up for playing brought about a discussion and interesting notes on the accompanying “equipment” traditionally used when playing the nyatiti. These include: badiz (a piece of cloth tied to the player’s ankle…

Day Five: Ilesi, Khayega to Kisumu

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Thursday, February 22, 2018 We travelled to Ilesi, Khakyega to record three groups. The first was Imachina.   They call themselves after the village where they live.   As with many groups over the last two days, most of their songs are for processions, like weddings, funerals, bullfights or rites of passage. So they tend to play…