Stories Page
…ing stories with the work that we do at Singing Wells. Use the links below to delve into some of the stories behind the scenes of the field trips, our ongoing projects and some of the incredible people we have met. Music Read some of our articles and stories behind the Music of East Africa. Dive into musical genres, different instruments and the musicians keeping these traditions alive. Picture We manage to take some beautiful photos on our trip….
Imachina Group
…undu: This is about the smell of a decaying body and the song tells people to come toward the smell and honour the man. Don’t run from this, confront it and honour his memory. The Mayo Procession – this is about bullfighting. The songs include: Lukumili: This is about the moment the horns lock between the two fighting bulls and the context really begins. Ing’ombe: This is about the bulls (I can’t read my handwriting here!) Iminyi: This is a type o…
Otieno Aloka Group
…ieno Aloka is a musician best known in Kenya for his hit song ‘Kanungo Eteko’. In our session with the Ohangla group he plays the orutu, the second major instrument of Luo music. The orutu consists of a hollow wooden box that has monitor lizard skin stretched over one side. The string used to be made from fibers of the sisal plants but is now made from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu…
The Revival of the Entongooli Page
…as travelled to visit Mr Mukadisi, who is educating a group of children on how to build and play this instrument in the hopes of continuing it’s legacy. Below you will find footage and information about the Entongooli and how the project is working to restore this instrument back to it’s former glory. Skip ahead to your preferred section… A Musical Education Finding the Materials Simple but Effective Tools Getting things Dung! Meet the Students…
Video playlists from Kenya 2018 Story
…t=PL6jxUA468Mq9NQ-zWTvuNk2xUKNJQr6Uh Bugnoma Roots Band https://www.youtube.com/watch?v=ESB-pxQBUYE&list=PL6jxUA468Mq9OAlm-PXg8Z-Pgb_ckPZHK…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…irges. This dramatic twist of events threw us off guard and we were forced to stop our program temporarily. As required by local custom, we dutifully went to commiserate with the family of the bereaved. We paid our last respects to the unknown dead in the sealed coffin and donated some money to the family to assist with the burial activities on the following day. Seeing that we had appeased the spirit of their departed, the mourners quieted down a…
Our Sponsors Page
…Kalenjin, March 2012 Thank you to Anne for her kind and generous donation to towards our 2012 field recording visit to Kenya. Read all about it here. http://www.annewright.com/index.asp Institute of International Education Type of sponsorship: Field Recording Visit, Music of the Batwa, Uganda 2011 Through our relationship with The Ford Foundation we were able to apply for a grant from the IIE to fund our field recording visit to Kisoro in south…
Field Recording Report by Kahithe Kiiru Story
…est hits, songs that any Kenyan can easily identify with: “Kweli Ndugu”; “Mtoto si Nguo”; “Sengula Nakupenda”; “Kunywa Kidogo” and “Watu Wanasema Uongo”. Fadhilee’s reaction to this last session was worth the wait, as he discovered the author of “Kweli Ndugu”, a song he had done a cover of years ago. Therefore, we recorded one last Influences with Fadhilee playing the song alongside Mukabi. The day was closed with a photo session ringing together…
Here for the Music? Page
…you are in the right place. For some of our stories, videos and the chance to listen to some of our Singing Wells Albums, head to the links below. Stories Read some of our most memorable stories from the field, featuring stunning photography taken by our team. Learn more about the communities we meet, the instruments that are being played and the background stories behind some of the photohraphy on our website. Albums Head here to see the collecti…
FAQ’s Page
…either volunteers or are personally funded. No third party donor money is used to support their expenses). Who owns the Singing Wells recordings? The ownership of the original songs remains with the performers who receive a performance gratuity from Singing Wells. They give consent for us to publish the material on the Singing Wells website and other digital media which is free to access. Any money received from the sale or commercial use of Sing…
Day 1 – Saturday 1st July 2017 Story
…local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti makers in the area, according to Meshack and mention of several masters who passed away; ‐ Discussion on playing positions (traditionally played while seated on a stool, some contemporary artistes play while standing as well) and its cultural and symbolic importance; ‐ The practice of praising peop…
Umoja Wa Kusini Group
…village after a while and being accepted. Rushwa: about harvests, but also uses a metaphor of a broken chicken leg to say that even if love is broken, it will mend, the ‘girlfriend will come back.’ Rushwa Magic Moment 1: just vocals Magic Moment 2: percussion Malalanga: this is about being quiet because a performance is starting Magic Moment 3: Francis singing ‘Alelewani’ solo. Alelewani with full group Mikocheni Makongwe Malowe Magic Moment 4: Da…
Mohamed Uthman Kidumbak Group Group
…eld perpendicular to the box with a string going from the top of the stick to the top of the box. He changed notes by holding the string less or more taut as well as holding the end of the string down against the stick. Pretty amazing bass sounds came out of this. The two dancers danced with almost a belly dancing movement where they moved their hips and buttocks completely independently of the rest of their bodies. They wore a sash around their h…
Day 5 – Wednesday 5th July 2017 Story
…of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti,…
Support Singing Wells Page
…ssion. Each group receives a payment for their performance, which they can use to help them continue practicing and performing in the future. The songs and videos we record are archived and published, giving each group further opportunities to gain an income from their music. Our Gift to You As well as a special thank you on our website, we’ll send you details of the song your donation funded and an MP3 download of the track, plus a commemorative…
Day 3 – Monday 3rd July 2017 Story
…interview was Sewa’s description of the small pointy decoration on the bottom of the resonator we had previously referred to as ‘the nipple’. According to him, this is in fact the umbilical cord of the instrument (in vernacular pende thum), which makes the resonator stronger and more difficult to break. Finally, Sewa told us he got the knowledge of nyatiti making from his step‐father and commented on the custom of making a sacrifice upon completi…