Kumbaka Asee Group
… Kumbuka Asee: The group is led by Margaret Mbia and plays in the musical style of Kilumi, wathi wa kikamba. They are also from the Kamba ethnic community (ukamba wa kitui). They have 15 members and are inspired by kithio kya mukambu (Kamba tradition). They were formed in 1974. They use two drums called Kilumi, played by Makai King’ei and Koka Mbindyo. They played two songs: Itinga Levu…
Irimbene Cultural Dancers and Self-Help Group Group
… Irimbene Cultural Dancers and Self-help Group, formed in 2000 with 21 young men, and is led by Edward Kiogura. They play in the Authi style and are from the Ameru ethnic community, from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, which is performed by John Mwiti….
Kigane Traditional Dancers Group
… Kigane Traditional Dancers, from Kigane Kithurini and Ngatia villages, Suri Location, Bogeta Division. They are 11 men, 12 women, led by Cyrus Kirigia. Their style is Kwimbo, and the songs ares sung to celebrate the harvest mostly in August and March. They are from the Ameru ethnic community and use the Kibere (leg shakers) and Vilingi (whistle)….
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…ant you to create your own artistic responses using these loops. You could use these loops to create a house track, as inspiration for a dance piece, or as the soundtrack to a painting you create. Whatever your response is, we want to see it! Click here to access the Global Influences Artist Submissions We will be sharing all of the artist submissions on this page so you can keep up to date with the incredible commissions we receive. If you want t…
Global Influences Project: Loop Library Page
…common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. You can learn more about the group here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop singingwells · SW Samples – Ekh…
Filimbi Instrument
…A whistle. The word filimbi is Swahili for ‘Whistle’, ‘flute’ or ‘pipe’. – so the instrument name ‘Filimbi’ could refer to any whistle or flute type instrument. We heard this Filimbi in use by a member of the group Zaire Ndindingwara on our field trip to record the music of the Mijikenda in 2011, played alongside percussion – as a bed for the vocalist in the group….
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…er services on our site – such as embedded videos from YouTube, may also cause cookies to be saved to your machine. The other services we use on our site include Facebook, Twitter and Flickr. Why are we telling you this? Well the European Union have introduced a new directive that makes it a requirement for websites to get consent for using cookies. Nothing has changed at singingwells.dev – except for the little cookie triangle in the bottom cor…
Mohamed Uthman Kidumbak Group Group
…t Yalait – Love song to Yalait, a woman’s name Hongera Mwanangu – Congratulations my child, used for weddings to congratulate the newlyweds or the bride. Muhogo Wa Jangombe – Means cassava of Jongombe. In Swahili these songs don’t tell you directly what they are trying to say. They use metaphor and analogies. Here the message is: “Don’t insult the midwife because you might need her again.” The song is about not taking cassavas for granted. Kidole…
Support Singing Wells Page
…nd their songs and dance will be recorded by our field team. Funds will be used to provide for two field-recording engineers from Ketebul Music, a non profit organisation in Nairobi and our project partners. Your donation will also provide for gratuity payments to the individual music groups, which they can use to help them continue practicing and performing in the future. The songs and videos we record from your sponsored day will be archived and…
FAQ’s Page
…the material on the Singing Wells website and other digital media which is free to access. Any money received from the sale or commercial use of Singing Wells recorded material will be donated back to the project via The Abubilla Music Foundation and wherever possible royalties will be paid to the original performers. New Influences material is jointly owned by Ketebul Music and Abubilla Music. Profits arising from the sale of Influences material…
Day One: January 18, 2019. Assemble in Tanzania Story
…when the group is constrained. So, we often do another take which we call ‘free style’ where we take our cameras off tripods, and our video team simply follows the group around as they dance and sing. This provides a much more free feel, although it does mean we can miss part of the performance, so we always try to do two versions of the song. Magic Moment: For many songs, we find there is a moment of amazing percussion, or dance, or other instrum…
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…bar, we loved the name of the Dhow Countries Musical Academy precisely because they used the wind to describe Zanzibar music. The Dhow is a sailing vessel. The Dhow countries are all the countries that sailed to Zanzibar over centuries. The music academy is the result of all the Dhow Countries blowing onto the island, leaving their instruments, their styles and blending them with what was already on the island. When we record fusions, we are simpl…
Recording Resources Page
…gside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are pa…
Day 5 – Wednesday 5th July 2017 Story
…he clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and playing in a foreign setting (notably in Europe). He said: “When I’m home, I’m free, I don’t care about my tuning…When I’m playing in Europe, now the violin wants to come in, the guitar wants to come in, so now I need tuning.” In any case, both his tunings and his finger plucking techniques are very much dif…
Our Sponsors Page
…3 field recording visit which included accommodation at the Airport Guesthouse and the use of their 4×4 truck and wonderful driver, Musa. www.gorillatours.com Anne Wright, The Wright Approach Type of sponsorship: Field Recording day in Kenya, Music of the Kalenjin, March 2012 Thank you to Anne for her kind and generous donation to towards our 2012 field recording visit to Kenya. Read all about it here. http://www.annewright.com/index.asp Insti…
Field Recording Report by Kahithe Kiiru Story
…sukutidrums of different sizes. It was interesting to note the differences between the isukuti drums they used and the ones Isukha and Idakho Luhyas use. Notably, the main difference was the fact their isukuti were made with cow skin, whereas the ones in Kakamega must be made from molitor lizard skin. Another significant difference was in the way they referred to the various sizes of isukuti drums. Isilia’s group refers to them as: SUKUTI NGALI –…