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Albums Introduction Page

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…ng Wells project is to record and share the music we record in East Africa and one of the ways in which we can share this music is through our albums series. For each project we undertake, we curate an album of the resulting recordings. In most cases, this will include at least one recording from each group recorded. Where it works artistically, we’ll arrange the tracks on the album in chronological order of the recording date – so you can experie…

Our Sponsors Page

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…en we set up our charity, The Abubilla Music Foundation. For more information on their services, head to their website at: http://www.cwj.co.uk/   Sheen Sports, London SW14 Type of sponsorship: donation in kind Thanks to Sheen Sports shop for providing footballs which we took as gifts to Uganda in 2013. During our field trips we often find that the whole village community comes to watch the performances we are recording. We have found that a footb…

Day One: The Iteso People and their Music Story

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…hold to love and keep everyone close to your heart. Magic moment: Percussion and the Etwoo: Our final song for the day was a ‘Magic Moment’ where we captured the groove of the percussion and the Etwoo. From Adungosi, we travelled to Obekai, to record the South Teso Jazz group. The group started in 1938 by Charles Olado. It is currently led by Patrick Okodoi. We walked through all the band’s instruments first; these are: The Adeudeu: The Six Strin…

Fadhilee Itulya Staff Profile

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…e wanted to listen to the news on radio. After high school he worked as a construction worker to fend for himself. Meanwhile he mastered his guitar, volunteering to teach kids music at the neighbouring Soweto slums. He continued offering private guitar lessons even after joining the University of Nairobi, where he is studying International Relations and Diplomacy. His first break in professional music was at the 2008 edition of Spotlight on Kenyan…

Winyo Staff Profile

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…ges from traditional Luo melodies infused with witty story lines, afro fusion and afro jazz, to a contemporary interpretation of Benga, transformed into an authentic acoustic sound. His powerful yet mellow vocals are the icing on the cake that makes listening to Winyo an almost heavenly experience. Winyo is also a professional photographer, actor and a TV producer. He is currently the executive video producer for a Kenyan media company called Big…

Day 4 – Tuesday 4th July 2017 Story

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…ns he used to take part in. He remembered the olden days and the hostility among competing players fondly and said that every player had his own hit composition. When we asked him about “Koblong”, he dated it as late as 1980s and even claimed the tune was borrowed from his repertoire. His current instrument was made by a certain Apondi; yet he had to take it to Obong’o Omenda, the maker we interviewed on the first day in the region, for repairs, s…

What We Do Page

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…isit, this material is post produced to provide an archive of audio tracks and videos. We are in contact with The British Library about adding the Singing Wells collection to their archive of World and Traditional Music but we also endeavour to make our recordings accessible to the widest possible audience of musicians, music lovers and ethnomusicologists. You can find all our recordings on Soundcloud and YouTube or discover music groups by locati…

Recording Resources Page

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…time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own region! Village Visit Management Audio Recording Protocol Field Visit…

Mchele Mchele Sanaa Group Group

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…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers).  …

Camera Group

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…Camera, who has been performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE….

Maisha Bora Suba Group

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…y play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahunsho (grasses that are attached to the shoulders, and shake with their shoulders’ movement), Enyandusbi (beads) and the men carried Omuhiyo (wooden…

Mumias United Group

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…Mumias United was founded in 1997 by Francesca Odour. They have 38 members and 22 showed up for our performance. They perform in the Imbira style. They are part of the Wanga tribe, which is a sub-group of the Lua, known for their Kings (Nabongo). We performed next to the mausoleum where four kings were buried, dating back to 1700s….

Royal Entenga Drummers Group

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…band, they built a new set of Royal Drums, recruited a team of passionate drummers to learn how to play the drums, learned to tune the drums and ultimately learned to play new music….

Day Zero: 6 March 2022 – Travel To Stream Story

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…ed by Fiston Lusambo, a Briton of Congolese origin and guitarist with the London-based Afriquoi Musical group. The video section was manned by Patrick (Sapat) Ondiek assisted by Drix Muyeshi and Cliffe Munyasa. Nick Abonyo was the tour’s coordinator and Spade was our driver. The drive was slow and uninterrupted with only one stop for lunch in Nakuru. We reached Kisumu City just before dusk and settled down for dinner at Kalongolongo restaurant, ru

Ayub Ogada Group

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…e spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued prac…

Day Three: January 20th, 2019 Story

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…ey often tend to small plots at the school. Serengeti: We are near the national park and this is a song in celebration to Tanzanian parks and wild life. Freestyle filming with song Balimi Magic Moment: Song Makule Magic moment again: Balimi https://youtu.be/4PxbBqqxuUQ Group 2: Biluli dutwa: This group was formed in 1984 and performs in the Busumabudo style. Lake the Snake Dances we recorded during our last trip, this group is part music, part cir…