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Our journey to the Royal Drums: in the words of James Isabirye Story

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…he lives in Kiboga which was about three hours away. She gave me his son’s number and Musisi’s and we called. I talked to him! My only thought at the time was: GET MUSISI TO KAMPALA. I could not lose another teacher. So I agreed I would send money for Musisi to meet with me. I gave him a job to teach students how to play the drums. I was so relieved to have found a drummer. He arrived in Kampala and we set out to teach. But very quickly it was cle…

Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story

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…pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they are out there. And it gets much deeper. Our view of development is hardware – give folks roads, modernise them. But Singing Wells has discovered in fact –…

The History Of Benga Music: A Report by Ketebul Music Story

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…in active music. The era of 78 rpm discs and His Master’s Voice (HMV) gramophones had been ushered in by European producers when Kenya’s first recording studio was set up in 1947. This is the magical year in which pioneer guitarist, Fundi Konde, who was a member of the Entertainment Unit during the Second World War reportedly played Kenya’s first electric guitar. European recording companies were to hold a monopoly over the East African music indu…

Central Uganda: Day 5 – Jinja to Kampala Story

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…dle players and 2 thumb pianos. They also have the traditional Ugandan Xylophone. All instrumentalists also sing and are supported by three ladies who sing and dance. The three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Artists. Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: Sh…

Central Uganda: Day 4 – Jinja Story

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…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…

Singing Wells in Numbers…. News

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…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes.  …

Report from Womex 2013 News

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…n which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African music networking session which became the launch for a new initiative by the Cape Verde government. It has been calculated that music is their biggest export and so has set up the African Music Forum to make it easier for musicians to make a living – from visas and flights to…

A recording studio which fits into the back of an SUV Story

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…ing with us: 2 Apple MacBook Pro 2 MOTU Traveler MK3 Audio Interface 4 Headphone amps 8 Sony MDR-V600 headphones 2 Shure mics & stands 2 Rode Lavalier omni-directional mics 2 Rode NTG-1 condenser Shotgun mics 1 Matched Pair of AKG C414 XL Microphones 1 Matched Pair of Rode NT5 Microphones 2 Rode professional boom pole 1 K&M telescopic mic stand/boom 1 Canon EOS 7D 1 Canon EOS 60D 1 Canon EOS 5D 1 LED video camera lights 1 Flip HD video camera Thin…

73,603 views on YouTube News

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…ls YouTube channel……73,603 views and still counting! It’s not a meaningful number in itself (like a nice round 100,000 – our next target) but it does mean more and more people are finding us and enjoying what we are all about – bringing the more traditional sounds of East Africa to an enthusiastic audience. Thanks for watching!   Our top 3 video hits In third place, this is the Nyerere Wa Konde Music Club from Sita Village, Gede in Kenya’s Malindi…

A new type of city Story

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…hat the capital would be like; this image speaks a lot about the city. The number of ‘proper’ buildings were few and in only the small centre. It was hilly and most of the roads were not built for vehicles. The shops were small shacks mostly and at night stayed open, lit by candle light. There were animals everywhere and make-shift houses, which starkly contrasted to the taller office buildings you could see in the distance. Despite this unconvent…

The Boy with the Headphones Story

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…hen we travelled to the Mperwa Batwa community. Consisting of just a small number of families, the Mperwa have settled on a small area of borrowed land just a few kilometres from the town.   At first glance the setting appeared to be spectacular, with the lush valley and terraced hills of local farms as a backdrop and the magnificent Virunga volcanos in the distance. But we were quickly struck by the impoverishment of this small community. As we a…

The origins of Singing Wells Story

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…s for the whole group to perform, singing and dancing in front of ten microphones and three digital cameras.’ Video engineer, Patrick Ondiek, adds, ‘I love producing the final videos and getting phone calls from my friends asking me ‘how did you find these musicians?’ I feel like I’m on the cutting edge of music, bringing these talented musicians to my Nairobi friends.’ In addition to our field visits, we have developed an online Music Map of East…

Day 8: Entebbe to Nairobi and Ketebul Studios Story

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…anted to make sure we recorded their shakers, the Kayamba (hand shaken idiophones with dried seeds inside), the Lungo (broken glass moved in a big bowl) and Ndema (2 brass rings played in ringing and muted tones). In the Rift Valley, where the people are more pastoral, we really focused on their voices and I wanted some one to play the burkandit (a handmade guitar). In Nyanza, we focused on the Orutu, the Nyatiti and the Ohangla (drums). In Kisoro…

Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story

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…ocal stores on big speakers). We listened to a few different tracks on his phone, and I narrowed my favourite Ugandan pop tracks down to ‘Apple’ by Bigtym and ‘Guns & Bomb’ by Bebecool.. Odika Constantine, son of Watmon, is in his 30s. He was abducted by the LRA from his home in Kitgum District when he was just 17. He was held as a soldier in the bush for 6 months until he managed to escape. He described the day it happened: the rebels arrived to…

Day 7 (am) – back to Kampala: Naguru to Entebbe Story

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…e carved into a hill, with rows and rows of streets below us, and an equal number of streets and houses piled up above us. There were cars, motorbikes and taxi’s driving past and planes flying overhead. Everything was for sale by everyone who walked by. No sleeping cattle. No flower beds. But, as always, there was wonderful music. The first group was the Adungu Cultural Troupe, masters of the Adungu. We had interviewed their leader on our ‘recce’…

An Evening with Mserego Mwatela Group News

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…with his father’s group and then he founded this group in 2007. They use a number of styles, most notably Sengenya, which we covered fully in our March 2011 field recordings in Malindi. We interviewed Swalhe Mwatela Massai and his grandson, Ali Tungwa :   Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young and vibrant. Ho…