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…no better than the other Batwa so I thank you for choosing me. I am happy 1000 times over. My message represents the rest of the Batwa people. I listened to the recording of my song – it was so nice, so sweet.’ The day ended with her joyfully dancing to her own record, with her newborn baby in her arms. It was a moment that made so much of the work put in by the entire team completely worth it. And it has inspired us to continue searching for more…
Mohamed Uthman Kidumbak Group Group
…rs on a scholarship from the DCMA to study violin and the oud starting in 2000. He’s been teaching at the academy for 18 years. Members of this group include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija Abdala Ame -dancer, Mirianaharus Juma Hamis – dancer. All sang but Mohamed Othman Faki…
Watmon Cultural Group Group
…the war against Idi Amin’s regime, many people were looking for an escape, and the troupe presented just such an opportunity. The group performed for President George Bush during a state visit to Uganda. They were also recorded in 2012 for the BBC’s World Routes album, presented by ethnomusicologist Lucy Duran. Their performance was described by Sounds and Colours as an ‘instrumental extravaganza’. Sources: Sounds and Colours www.dailymonitor.co….
Super Phoenix Band Group
…d leader Julius Intenya. The musical style is Mutibu. They played roughly 8-10 songs, including several goes with our influences artist. These songs included: Shapeless: A song about a women who lost her shape, lost her curves. Alusiola: A song about a neighbour that gave his cow to someone else. But the receipient then took care of the care and it had calves. The original owner than seized by the cow and all its calves with no warning. Alusiola i…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rom Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the grou…
Gacharaigu Gitiro Women Group Group
…ocation, Muguru Ward, Muguru Division, Kamgema District and was formed in 2006 and dedicated to self-help. Its style is Ndumo, an old women’s dance purely for entertainment and preservation of culture. For all their songs, the ladies used the Kigamba (leg shakers) The group played 6 songs: Ndumo: sung by Wambui Mwangi. Ngucu: sung by Charity Muthoni and Grace Njuguini Muthuo: sung by Mary Wambui Kimunya: sung by Grace Njuguini Gitiro: sung by Mary…
Tarajazz Group
…rom Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the grou…
Otieno Aloka Group
…e plays the orutu, the second major instrument of Luo music. The orutu consists of a hollow wooden box that has monitor lizard skin stretched over one side. The string used to be made from fibers of the sisal plants but is now made from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu creates different notes determined by finger pressure against the central stick. It provides a fast-moving, melodic a…
Bigwala Cultural Group Group
…even if they are poor, lame, sick or blind, you just stay with them. Further reading UNESCO: Bigwala, gourd trumpet music and dance of the Busoga Kingdom in Uganda. Inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding. Click here for the link to the UNESCO website….
Day Five: February 20, 2020 (DCMA) Story
…ra – This group was formed by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and festivals in a traditional Taarab style. It was good to see them again on the grounds of the Ngalawa hotel. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali 10 years ag…
Day two: From Sirisia to Mabuyole Falls Story
Monday, February 19, 2018: Woke up early and drove to Sirisia to record the band Namatete. The band was founded by Weput Khulu Namatete in 1992. He and his friends gradually made instruments and learned to play them while taking care of their cattle. By 1992 they were good enough to call themselves a ‘serious’ band. The founder started by playing the Lituneu. His brother joined him for a while and brought the Shirili, the single stringed instrume…
Recording Resources Page
…longside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are…
Matia Kakumirizi Group
…He is now 70 years old, lives in Kampala and sings in Luganda and Kirwahdi, C&C Busega, C&C Kibuye. He still plays the guitar he has had since 1972. He was recorded in 1971 in the Polygram studios in Nairobi. His peers include Dan Mugula, Christopher Ssebaduko, Vincent Muwunge, Sulayiman Mayanja. Dan influenced him hugely. Song meanings “Abapangisa”: featuring Passy Nassonko from the Kiki Boys Cultural Troupe. The song talks about challenges you…
Day 3 – Monday 3rd July 2017 Story
…any “as long as it’s strong and the right size”. Another interesting piece of information gathered during this interview was Sewa’s description of the small pointy decoration on the bottom of the resonator we had previously referred to as ‘the nipple’. According to him, this is in fact the umbilical cord of the instrument (in vernacular pende thum), which makes the resonator stronger and more difficult to break. Finally, Sewa told us he got the kn…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…Group: Our first group, from the Mara Regio (Roria District) was formed in 2012. They are from the Abhasimbete community. Their style is Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore…
Aynu Traditional Group Group
…ums) and a tin sheet for percussion. The Lugbara Tribe Population: Around 900,000 History: They were known in the 19th century as ‘The Naked People’, due to the lacking importance of clothes in their culture. In the early days, the Lugbara were a mainly chiefdom-based community. They did not have kingdoms and kings presiding over them as like other ethnic groups in Uganda. They mainly had chiefs who were their leaders. They formed friendly allianc…