Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
Singing Wells Stories Page
…n the field. Our influences series sees our field recording team augmented by a young musician in the early stages of their career – to collaborate with and be influenced by the musicians in the field. A large part of trying to help preserve traditional music is to try and make it relevant to today’s audiences and musicians and this goes a long way to helping. Since the field trip, we are pleased to report that Akello has been performing more with…
2. Naizungwe Drums – progress report 1 Story
…, Bugweri County in Iganga district. Muhamudu was taught how to make drums by two of his uncles who shared their wisdom and experience with him, and tells us that ever since he was young, his relatives and neighbours have all been drum makers. This begins to make sense when he says that one drum offers 54 different jobs: cutting the tree, shaping the trunks, putting cow dung on frames, drying skins, making strings etc. For the 24 individual drums…
1. Introducing the Naizungwe drums Story
…be posting about the project’s development, which has been under way for a month now. James gives some background about his inspiration for starting this project: “I led the revival of entenga royal drum music of Buganda kingdom. At the time of doing this, I received an audio recording from Peter Cooke, telling me of his recording on his first field trip in Uganda in 1967. The multi-rhythmic texture of the drumming, Basoga traditional yodeling and…
Day 2: Sunday, 2017 February 19th Story
…ve the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing. We learned about the Bi Kidude and Unyago style. Throughout this trip we will encounter multiple stories about ‘women for women’…
Day 1: Saturday, 2017 February 18th Story
…ackground noises of ‘chicken and children.’ Generally we become surrounded by village children by the end of each field session and we celebrate that their voices create a lovely background in our recordings. We are also here to try to bring this music to new artists and audiences, to show how it can inspire and inform more contemporary artists. This is why we always bring ‘Influences Artists’ with us on each trip and this is why our nights are fi…
Our journey to the Royal Drums: in the words of James Isabirye Story
…ogether on the ‘Bigwala Model.’ So after Singing Wells left, I started the search for the drummers. I thought I was in great shape, because I knew Sebuwufu, a xylophone player who knew all about the drums and agreed to help me. Together, we found out that Peter Cooke had recorded the drums and we listened to some of these recordings. But then, Sebuwufu passed away in August 2015 and I realised I had a big problem now. He might have been the last p…
Recce to Tanzania for our 2020 Field Visit News
The Singing Wells team has been travelling through Tanzania in search of the best groups to record during our upcoming field visit in February. We are struck once again by the amazing talent this country has to offer, and can’t wait to capture some amazing moments with these artists when we visit again with the full team in a few weeks time. Thanks to the good people at Dhow Countries Music Academy for helping us with the information and contact…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they…
The History Of Benga Music: A Report by Ketebul Music Story
…nyan sound. END Reprinted for MIA with permission from Ketebul Music. This narrative was compiled by Ketebul Music using, in part, the research conducted by Moussa Awounda in 2007. …
Naizungwe Drums News
This June we were contacted by long time Singing Wells partner Prof. James Isabirye about an exciting new project he was hoping to undertake – the revival of the naizungwe drums of the Basoga people in Uganda. James led our revival of the entenga royal drums of the Buganda kingdom starting in 2015 and contacted Singing Wells with the hope that we would support him with funding for his new project. We are excited to announce that we have agreed to…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…e. Henry Neza from UOBDU who travelled from Kisoro with Jovah and her four month old baby Gerald, help translate the song for us. This is how Jovah described the song: ‘During the eviction everyone was running and crying out “our forest has been taken from us”. They lamented the fact that the animals that they shared the forest with and cherished had also been taken from them. Having been evicted the Batwa became scattered and the children were hu…
Central Uganda: Day 5 – Jinja to Kampala Story
…sident’s car on the way (it was unclear if the car held the President). We returned to the Kampala Imperial Hotel and some of us were delighted to find a English football match on the TV (Arsenal vs. Southampton). And we were greeted by Air Conditioning which is most welcome by those of us from the North but feared and mistrusted by those of us from Nairobi. We look forward to recording tomorrow in Kampala. Apparently there is a marathon. We shall…
Central Uganda: Day 4 – Jinja Story
…alist and he’s been around music for a very long time. His music is played by many people, but I do fear that people exploit his songs and don’t give him what he is due. He has the typical problem of illiteracy – he is a great musician but he’s limited by the fact that he can’t read. He limits his opportunities. His influence is local but amazing. He is a composer and he can compose a song on the spot – if you tell him the names and topic he will…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…m-chime at Kyambogo in 1968 (Musisi is furthest from the camera) Peter’s research into African music is extensive. “It all began in 1964, a few weeks before travelling out to begin teaching in Kampala, Uganda,” says Peter. “On the stage of the Prince’s Theatre, London, I received my first lesson in playing the Kiganda amadinda xylophone from the South African musicians Andrew and Paul Tracey before their evening show Wait a Minim.” “My work in Uga…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…ube fiddle Enkwanzi, pan pipes The performance was simply spectacular. Our search for the best xylophone players in Uganda is declared over! What a group. Obutasoma (Education), with lead singer Muniru Ayubu Obwiire Bukyeire (The Time Has Come), with lead singer Kisubi Eliasa Magic Moment: We loved the xylophone and asked the group to replay a minute of Obwiire Bukyeire, with only the xylophone. We asked Vicki to climb in next to the bass notes, s…