Day two: From Sirisia to Mabuyole Falls Story
…ends gradually made instruments and learned to play them while taking care of their cattle. By 1992 they were good enough to call themselves a ‘serious’ band. The founder started by playing the Lituneu. His brother joined him for a while and brought the Shirili, the single stringed instrument similar to the Orutu. After 23 years his brother formed his own band. Weput Khulu Namatete (Samuel) then recruited new members and the band has stayed very a…
Recording, archiving and sharing the traditional music of East Africa Page
…continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musicians. Here for Research? Click here! Whether you are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music…
Mission Page
…continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musicians. Aims of the Singing Wells Project East Africa is a region with a diverse cultural heritage. Its borders encompass a multitude of different ethnic groups, each with their own unique traditions and histories, languages and dialects, religions and beliefs, ways of dressing, music and dance. We believe the importance of preserving…
Irimbene Cultural Dancers and Self-Help Group Group
… Irimbene Cultural Dancers and Self-help Group, formed in 2000 with 21 young men, and is led by Edward Kiogura. They play in the Authi style and are from the Ameru ethnic community, from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, which is performed by John Mwiti….
Zam Zam Group
…teaches and performs in Nyumba Ya Vipaji, The House of Talent, in Rahaleo. All male group ranging from age 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. It was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abda…
Martin Fredrick Muyeshi Staff Profile
…ebul Studio, where he went on to work on several studio projects, among them the studio’scompilation “retracing” series that include Retracing Benga Music, Retracing Kikuyu Popular Music, Retracing Kenya’s Funk Music, Retracing Songs of Protest and the book Shades Of Benga: The story of Popular Music in Kenya, to which he contributed his photos. His work has also featured on Voice of America’s “Music Time In Africa” under the Host Heather Maxwel…
Watmon Cultural Group Group
…a part of it, and from that point the group became an institution. In the fallout of the war against Idi Amin’s regime, many people were looking for an escape, and the troupe presented just such an opportunity. The group performed for President George Bush during a state visit to Uganda. They were also recorded in 2012 for the BBC’s World Routes album, presented by ethnomusicologist Lucy Duran. Their performance was described by Sounds and Colours…
Nyatiti Instrument
…nst the edge of the nyatiti to form a beat. Nyatiti players will also typically sing during their performance. There is symbolism in the 8 strings of the Nyatiti in that the lower 4 string represent the first 4 days after a male’s birth and the upper 4 strings represent the first 4 days after a male’s death. Notable players Ayub Ogada, who played on our 71 Hours to Monday re-mix, spent time in the UK and provided music for the film The Constant Ga…
Kika Boys Cultural Troupe Group
…talks through each step to make the brew that locals consume: Butuuse: The time has come for cutting down the bananas to make local brew Zisobebwe: It means it is time to collect the Mbidde (bananas) Zitandikwe: this means the bananas are now to be buried into a hole dug in the group so they can ripen Siwa Siwa: This talks about grinding the millet on a stone while other people bring gourds in which the local brew will be poured and served Mbereju…
Ndagwa Msanga Group
…f young girls are from Msanga and the Wagogo community. The group was formed in 1994 to encourage the young of the Wagogo tribe to embrace and appreciate their culture. Their style of music makes up all the musical styles of the Wagogo community. Their instruments are all about percussion: Ngoma (Drums) and Kayamba (Shakers). These young performers are amazing and if they are a sign, then the future of Tanzanian music is alive and well!…
Aynu Traditional Group Group
…their cultural symbol is of a leopard. They also believe in a certain kind of mythology, mainly that man are descendants from the first creatures put on earth by spirit (the creator of men). Spirit created a man (gboro-gboro) and a woman (meme), and then domestic livestock. Meme had wild animals in her womb so that after the gazelle had broken out all animals followed from her womb. Man was the last to come out. The first human beings are said to…
Original Chuka Drummers Group
… Original Chukka Drummers, led by Eustace Mjuki Bundi. They are 30 males who all play drums except for their banner waver. They were formed in 1930 and have spawned so many imitations that they had to add the word ‘original’ to their name. They are Ameru, of Tharakanithi County. The group plays on all occasions, during harvests, births, weddings, marriages. The play the Mwinjira (Drums) and Biringi (Whistle)….
Twone Mbee Group
…are praising. ‘Nzembanie na ivinda’: (Chasing After Time). This song talks about the President’s call to stop corruption. The call to chase after time comes from the society that won’t condone these malpractices….
Nyota Ze Meremeta Group
…years he’s taught music in Zanzibar and promotes other musicians. Other members of this group include: Ramadhan Muhidan (accordion), Ali Ibrahim Musa (Kanan or Qanun), Tatu Hamisi Amur (accordion), Asha Khemisi Amur (violin) and Malick Anas (fiddle). Malick is 75 and has played with the Professor since 1961. All songs were very Arab influenced by all the lyrics are Swahili. They played five songs: Bashraf Ilyas: An instrumental song written for th…
Bigilia Group Group
…el, we drove a short distance to the village of Nia Njema, where we stayed all day recording Bigilia. They were cooking fish under the main tree and the women were sitting on the Mbuzi, which is used to cut the coconut for Wali (Coconut Rice). The dancers all had lovely necklaces (Usalu), hats (Kigarama) shakers (Mbugu), whistles (Firimbi), and ‘brooms’ (Usinga). The group leader was Asha Saidi Kazidi. The style was Unyago. Here is the group: They…
Kaniini Kaseo Group
…gwe. They have 16 members and were formed in 1980. They performed 3 songs, all of which use the Ileve (tin shaker, played by Mumbi Wambua) and Vilingi (whistle): Mutambo wa iiu: This means the trunk of a banana tree; it says that the trunk can’t be climbed by boys. Mutongoi: This is a song sung to a political leader in the area. The song praises the politician and asks the people to vote for him – he’s Kyonekana na nengwe. His name means, “if seen…