Elgon Ngoma Troupe Group
…n Hero Brass Band. When you combine the two bands, the traditional and the new brass sound, Julius says, they blew audiences’ minds. As the bands have grown there are roughly 160 total members of his group, of which 100 are performers. They are roughly divided between the two bands. For income, they do performances and also work four acres of land to feed themselves. Many of the members also do arts and crafts or a skilled trade – Julius’s dream i…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rican rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab…
Namaddu Troupe Group
…uffer? A woman can’t have a baby so her husband beats her and sends her to the witch doctor who ensures she gets pregnant. She then returns to husband, who has been off drinking, and they reunite. “Kwakira Wiita”: A song about eating new food, particularly millet, after the harvest. But the children don’t stay home and are out all the time, so they suffer from bad spiritis. They need to be home in the house for the good spirits. Gradually they ret…
Day two: From Sirisia to Mabuyole Falls Story
…brother formed his own band. Weput Khulu Namatete (Samuel) then recruited new members and the band has stayed very active and prosperous, playing in the Tindikiti style. The play at hotels, festivals, weddings, funerals, etc.. In terms of instruments they have: Luengere: Drums Eng’oma: Drums Litungu: Strings They performed the following songs: Kuzula Ni Bora: This is a song that emphasizes that prevention is better than the cure. The singer takes…
Influences songs from Singing Wells Group
…recording visit we are joined by a talented musician who works with us on ‘Influences’ songs. They work with us in the field and also in the Ketebul Music studios in Nairobi to produce this new material. We believe our Influences series will refresh the origins of East African music and make it discoverable to a new generation of music fans….
Day Four: 10 March 2022 (Rongo) Story
…f improving their performances. Most of them were ready to experiment with new ways of playing their traditional musical instruments, as well trying to devise standard tuning for them. Furthermore, we appreciated the fact that our intentions were well received and that the musicians did not consider us to be some arrogant city slickers trying to teach them their own cultures and traditions. Our goal was to build resilience by trying to restructure…
Day Three: Bungoma Town to Kakamega Story
…ditional song in three parts where a man goes to visit his daughter in her new home Influences: Fadhilee Itulya, our influences artist, joined Wilbert to play acoustic guitar on another version of Ndirenje. We travelled from Bungoma Town to Mumias (which was a lot longer than it should be as we travelled the wrong direction for 30 Kms, initially.) But we eventually arrived in Mumias to record Mumias United, a very large dance group. The group was…
Day Five: Ilesi, Khayega to Kisumu Story
…en ‘no one is watching.’ He wrote this in March 2017 and it will be on his new album. Shombu: This is a girl’s name and is a traditional song. But he takes it and says, “Yes, you are a beautiful girl, but let me warn you. Many will try to be with you and there is a danger if you are not careful you could catch HIV. Your beauty could be a curse if you are not cautious.” He wrote this in 2010. Umbeba. This means, you are carrying something and is an…
Group 9: Impara Band Story
…for women getting married. Telling them not to cry, that they will have a new life and will create a new family. Traditionally marriages were arranged and the bride would meet her husband for the first time on her wedding day. She would be scared and sad to leave her family. Ntugasaze, “Never Get Old”. Traditional song about the appreciation of the elders and all they have done in their lives. Nyiramariza, a girl’s name. Traditional song about a…
Patrick Ondiek Staff Profile
…really love tribal music. So when the Singing Wells project offered him a new opportunity to discover the music roots of East Africa, Pato jumped at the chance. Why? “First, I love the exposure to different cultures – even my own. I have never heard a lot of the tribal music, even around my own villages. Our trip to Nyanza in November blew me away. I have never heard music like that. My favourite performance was by Okumu K’Orengo. I was so moved….
Shem Tube Group
…Shem Tube is a pioneer of the ‘Luhya Omutibo’ sound and had a big hit with his band Abana ba Nasery (Nursery Boys, including Justo Osala on guitar and Enos Okola on percussion; they played throughout the ’60’s and ’70’s.) Their style was linked to three part harmonies, two finger picked guitars and a ‘fanta bottle percussionist.’ In the 80’s, Shem formed a new band, Les Bunyore , before reforming Abana ba Nasery in the ’90’s….
Liwambwe Group
The Group Leader is: Atanas Teleni. It is a fairly new group, having played off and on for three years. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played…
Group 7: The Impano Group Story
…mpressive collection of art. Their sound was a perfect blending of old and new, tradition and experimentation, coming together in something harmonic and unique that we loved getting to record. The songs they performed for us were: Ngarara – this is an Intwatwa style song about a boy asking for directions to a girl he likes. A traditional song. Kabanyana (“Bride”) – a song traditionally sung for a bride on her wedding day Ndabigukundira (“Why I lov…
Day Zero: 6 March 2022 – Travel To Stream Story
…n. Travel to Stream After one week’s training and familiarization with the new software and equipment, we took the road to Western Kenya on the morning of Sunday, 6 March 2022. The Ketebul Music team met at our new offices at the GoDown Arts Centre on Kayahwe Road off Dennis Pritt by 9:00am. It took us an hour to load the van with the equipment and our personal effects. On our team was Tobias Odhiambo (or Shunkyz as he is known in the music circle…
Introduction: Project overview and objectives Story
…outu.be/NqomPAxomxI “Masters of the Nyatiti” being a pilot programme for a new project series under Singing Wells, one of the objectives of this report is to reassess the original concept based on experiences from the field and to point out encountered challenges and difficulties in meeting concept objectives. Thus, I hope that this document will raise questions for discussion and generally assist in formulating a framework for future recording mi…
Day 2 – Sunday 2nd July 2017 Story
…ct that younger traditional players do not (or only exceptionally) compose new tunes, but replicate existing old ones. Within the nyatiti tradition, tunes remain the same, whereas the lyrics can change, evolve. They are the fruit of a specific player’s imagination and can be adapted to the occasion and/or to tell the praise of a different person. The fact that Meshack picked up the instrument only once his father had passed away brought about seve…