On our last day in Lake Region, we paid a visit to Ayub Ogada, probably the most internationally acclaimed Kenyan musician, whose use of the nyatiti in different musical genres is both original and pertinent for our Masters of the Nyatiti story. We spent the day at his home in Nyahera location, not far from Kisumu…
Our second day we drove into Stone Town. We recorded the first two groups at the Emerson Spice Hotel along the seaside. This hotel is an Arab style hotel, reminiscent of the rhiads in Marrakech with lots of small courtyards. In the Emerson Spice Hotel we filmed the first two groups in a…
Day 6: On this day, we travelled by road back to Nairobi. This report lacks detailed information on several days of recording in Nairobi, because of my absence. The team’s résumé of those days’ activities is included in the form of short notes: Day 7: Recording of the making of obokano, an 8 string instrument from…
We drove back to Stone Town and the DCMA to record our first group. After we finished there we drove to Mpendae, about 20 mins from Stone Town to record the second group. From there we drove for another half an hour to Maungani to record the third group: Tarajazz – This group was…
The original concept of the Masters of the Nyatiti programme included a side segment focusing on the orutu ‐ a one‐string fiddle from the same community. Because of time limitations, this could not be done fully; yet the idea of instrument comparison remained and was reintroduced through an instrument comparison forum held on day 8…
We drove back towards Stone Town and stopped at the Maruhubi Palace ruins. This palace was built by the third Sultan of Zanzibar from 1980-1982 for his secondary wives. It is now in ruins but you can still see the main buildings with baths inside, a massive overhead aqueduct that supplied water to the palace…
